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Gail Garraty, Margaret Chodos-Irvine, Kelly Nelson, Marion Wood Kolisch, Ursula K. The cultures of Earthsea are not direct analogues of those of our world, but are literate non-industrial civilizations. Weapons also include the use of wood and other hard but easily crafted metals. There is a yearly transition from warm summers to cold and snowy winters, especially in northern islands like Gont and Osskil. In the southern regions of Earthsea it can be much warmer. Earthsea, with the exception of the Kargish lands, where it is banned.
There are weather workers on ships, fixers who repair boats and buildings, entertainers, and court sorcerers. Magic is an inborn talent which can be developed with training. A strong theme of the stories is the connection between power and responsibility. While the dragons are more powerful, they act instinctively to preserve the balance. Only humans pose a threat to it.
The Dry Land is where the people of the archipelago and reaches of Earthsea go when they die. It is a realm of shadow and dust, of eternal night where the stars are fixed in the sky, and nothing changes. The souls who live there have an empty, dreary existence, and even “lovers pass each other in silence”. As of mid-2015, Le Guin has published eight short stories of Earthsea. These helped to define the setting of Earthsea. There have been a number of audiobook readings by different narrators and publishers.